In Which They Say I'm A Womanizer? I Haven't Met Enough Women Yet
Monday, January 11, 2010 at 10:09AM
Molly in SEX, alec baldwin, american males, jennifer aniston, madonna, molly lambert, ryan adams, twilight, warren beatty

Men In Revolt

by MOLLY LAMBERT

This just in: according to the neurotic Jews and WASPs of the last decade's fiction, American men don't know how exactly they should be acting about sex. This is brand new information! Does masculinity focus on being too self-absorbed? Is femininity still too much about self-abnegation? Is literature self-absorbed? Did Warren Beatty tell Peter Biskind that Jane Fonda can unhinge her jaw like a python? Is Sol the cold sun?

Done are the days of Vice Magazine's tits and cocaine ethos, as are the nu-80s that were the 00s. Somebody tell John Mayer before he threatens to date rape us again. C'mon John, I'm a polymath too, there's no need to keep screaming out for approval constantly. You want to be respected as a comedian? Knock up Jennifer Aniston.

I kid, I kid. Everyone knows the problem with Jen An is that she's too submissive, and what John Mayer needs is a strong top. That's what Brad Pitt needed (also rimjobs). Maybe John Mayer should fuck Madonna? I sort of like Madonna more now that I know she taunted Warren Beatty at gay discos for not dancing with "hey pussy man!"

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Meanwhile the not-a-girl, not-yet-a-woman demographic is flooded with New Moon and Taylor Swift. Transgressive as their popularity alone may be, both Twilight and Taylor ascribe to a world view that too many fourteen year girls are already inoculated with. An entirely boy-centric romatic one, where nothing is interesting unless it involves crushes and the surrounding drama. Even fifth wave feminist Megan Fox admits there's no such thing as Megan Fox. No wonder Mahnola is fucking pissed.

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I read Michael Chabon's Manhood For Amateurs. The cover has a neat conceit, but it doesn't actually work, a metaphor for masculinity if ever there was one. There are essays about being a son and brother written in the kind of clean clipped front lawn style associated with Richard Ford and the dignity of restrained masculine emotions.

There are essays about fatherhood, married life, and courting his wife that seem overly tailored to the idea that his children might read them someday, which makes them read somewhat dishonestly. There are also a couple of essays about his first marriage and various youthful sexual indiscretions that are frank and detailed (which is not to say erotic) enough to give readers major secondhand embarrassment.

Maybe this is the worst kind of criticism to give these practitioners of the new earnest manhood, but god is it boring. Not that this validates the grand tradition of geniuses as tremendous bastards. One can be a tremendous bastard without being an author or a genius and vice versa. I'm not saying Chabon should go for a ride and never come back, but he should definitely at least stop over-supervising his children's playtime.

In another essay, Chabon admits his worst failing is an inability to write three dimensional female characters. Looking back, it's kinda true. While I commend his honesty, I never understand this, even though it's something I occasionally hear from men. I always say "write a male character, then give them a female name." 

As a girl you grow up seeing yourself in male characters, because (unfortunately) the cool ones are still mostly men. One of the reasons I picked Adventureland as my favorite movie of last year is that it had fully fleshed out and well written characters of both genders. Chabon recognizes that his tendency towards seeing women as mysterious is wrong, but finds it very hard to shake. There is no mystery to women. There is plenty of mystery to sex, but it's equally mysterious to everyone.

For my money, Wonder Boys is still Chabon's best book, and as much as he loves fantasy and genre, the farther away he gets from reality the less interested and invested I get in the characters. This is just a personal preference, I would rather read smaller scale character studies, but I also think that emotional observation is a core component of his talents as a writer. Besides, the genre fic thing is beyond played out. New novels by all writers starting now in 2010 are forbidden from involving the following things: comic books, detectives, baseball, magicians, the holocaust

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Anyway if Katie Roiphe is underwhelmed and unoffended by the sexually neutered males of Brooklyn fiction, she should check out this vast cultural wasteland called the internet. The best writing about sex is currently being done by the people who are smart/stupid enough to date and write about it. Dating wasn't even really invented until the 1950s, it's no wonder nobody knows how to do it.

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If I were a man, which is something I've obviously spent a great deal of time thinking about, I would feel as insulted by the bulk of male culture as I am by most things steered to women. The men I know are nothing like the caricatures of "men" I see advertised to me everywhere. They are not oafs or jerks or lazy misogynists. They have more feelings than they know what to do with. They are real people, and they deserve to be insulted by what masculinity has come to represent.

The best advice I have ever heard about sex, romance, and masculinity is from porn star/P.T. Anderson muse John Holmes in Exhausted: John Holmes The Real Story.

"You don’t have to be overly macho. You don’t have to be over-complimentary. Gain her respect. And that’s treating her as an equal. Don’t bullshit her. Treat her as a human being. Treat her as you would treat yourself. As soon as you have that respect from her, she’ll treat you with the same respect that you show. Then you fuck the shit out of her." - John Curtis Holmes 

Molly Lambert is the managing editor of This Recording. She tumbls and twitters.

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