In Which We Confront The Zing Of Sun-Warmed Meat
Saturday, June 22, 2013 at 2:33PM
Alex in FICTION, fiction, victoria hetherington

Good at Keeping Limp

by VICTORIA HETHERINGTON 

[—Brie should be left out in kitchen to ripen for a ;few days. She stands as afternoon light deepens and bends through the kitchen window, softening then melting the brie, which comes apart in her fingers. Folding pieces of pita past her teeth against her tongue, rough on her throat from not chewing. Delicately unpeeling the spicy salami package, the zing of the sun-warmed meat muted by excess –]

[—Her stomach squirms with desire as the tidal bingeing urge rushes over her, and she seizes her hairbrush, and as she drags it through her hair, trying to feel pleasure in its shine, its resistance against the brush, the crackle at its ends, pulling herself back into her body from the bad, floating place she crams food into, registering pain in her stomach and back–]

[—Now ice cream, melting too quickly in the summer heat, her teeth freezing. After tonight, she tells herself, she will fetishize red peppers, carrots, smell them – so fresh and dew-bathed, yanked from the earth! – and she will lovingly pluck the right nectarines from the grocery store piles. The embarrassment of riches here. Doesn’t she want thin upper arms, a thin face, ropey legs? To make a certain impression? –]

 

[—It comes up by itself the third time, jumping up from her stomach over her teeth, clouding the water like delicate watercolor washes, excess paint springing from a brush and running through an enormous cleaning bowl –]

 

 

[—Spreading powder over her face, evening out the red patches and blurry sleeplessness, settling in the deepening cracks around her mouth. Lora texts: ‘my darling is it all right if you bring whiskey instead? im staring down world’s worst wine hangover.’ She rubs in lipstick, mashing it together, and waits five minutes before responding. ‘Esophagus,’ she thinks, tapping a cigarette into her hand, is a very onomatopoeic word when you think about it –]

 

 

[—They tumble into the car and Lora is all flirty business before the door even shuts, accepting the white bag offered by the shadow-faced dealer in the front seat, passing up the bills she rolled and unrolled and rolled in her long-fingered hands on their way to the car. “You all must be busy tonight,” Lora tells them, getting more comfortable, taking out her key already, making room, easing herself into a little nest within the bunched-up clothing. It would be so easy, Grace thinks, for them to kill us. Lora looks over at Grace, and grinning with benevolent, intoxicated misunderstanding, squeezes Grace’s hand –]

Victoria Hetherington is the senior contributor to This Recording. She is a writer living in Toronto. Good At Keeping Limp is an excerpt from a work-in-progress made possible by a grant from the Ontario Arts Council. You can find her website here. You can find an archive of her writing on This Recording here.

Images by Alexander Calder.

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