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is dedicated to the enjoyment of audio and visual stimuli. Please visit our archives where we have uncovered the true importance of nearly everything. Should you want to reach us, e-mail alex dot carnevale at gmail dot com, but don't tell the spam robots. Consider contacting us if you wish to use This Recording in your classroom or club setting. We have given several talks at local Rotarys that we feel went really well.

Pretty used to being with Gwyneth

Regrets that her mother did not smoke

Frank in all directions

Jean Cocteau and Jean Marais

Simply cannot go back to them

Roll your eyes at Samuel Beckett

John Gregory Dunne and Joan Didion

Metaphors with eyes

Life of Mary MacLane

Circle what it is you want

Not really talking about women, just Diane

Felicity's disguise

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Thursday
Aug142008

In Which We Pee On The Ground Below Us In Surprise



Hidden Imagery at the Letter Level


by R.B. Glaser

When reading, a pair of eyes will take in the shape the paragraphs graph on a page. Then consider the linear spreads of sentences within. Then the words, how they’re fitted together in clumps, stuck together with articles. Few eyes zoom in to the letter level. Linguists think letter imagery ended with Hieroglyphs, that perhaps they are re-emerging as emoticons, but that’s just a joke a Linguist might tell her nephew.

For instance, the word “n-e-e-d-l-e” contains a lower case L that stands in as a needle, and “ee” the scream it conjures. In “pussy,” the “ss” become pubic hairs. The “oo” in boobs. The “a” “l” pairing in “small” and “tall” show height difference. The alphabet is twenty six shapes miming a play. “Y” has developed intrinsically to itself. Sticky, smelly, the “y” makes every word more itself, a runny “v.”

O works best to show space, as in the fore-mentioned “boobs,” plus “room” “tomb” “moon” “zone” “cone” “door” and “out.” The letter “o” is unique in that its design mimics it’s mouth shape. O is an exclamation and also the element symbol for Oxygen. O shows space in “obese” “orbit” “oblong.” O is used in things that spread out, “ocean” “oil” “orgasm” “omelet”.

These letter identities trace back pre-Latin, an early English decision to give letters their own lives. Early fonts were a size equivalent to 40 points. A word was its own two-dimensional expression. Early usage of the letter “i” used its dot to represent a round or small object. The words “ball” “dot” and “star” all included the letter, also “marble” “crumb” “speck” etc.

One will assume quite wrongly that word symbols evolved from cave-drawings and Egyptian picture language. Early cave drawings were not just lines and scratches, a shorthand.

On the contrary, early cave drawings were so rendered that they are more in line with photo-realism. A man could not draw a buffalo without crowding its whole body with baby hairs. The stick man was never arrived at in early drawings. Instead the cavemen and women marked their representations with jagged contours, celebrating their skeletons and the complicated shadows in light.

Dozens of other ancient letter identities have been lost besides “i”, the letter “j” used to be used in many tool names. The first word for fish hook was “mj,” “j” as hook and “m” the mouth of the fish. Besides the twenty six we still use, many have dropped from the alphabet. There was one letter lighter in shade which was used primarily for smoke and cloud words and other wispy phenomenon. One can correctly assume the alphabet will lose more. Letters like “n” and “m” might combine in an “n” and a half letter, the extra curve not quite reaching the ground.

In stride with letters, punctuation marks have also evolved from images and expressions. Parentheses hug their aside (like hands on ears) to quiet the statement and keep it still inside the sentence. The exclamation point was initially meant as a person so excited they peed onto the ground below them in surprise!

A question mark (?) shows another being’s confusion as they bend to discern what sort of puddle they stand over.

R.B. Glaser is the senior contributor to This Recording. She is a writer living in Amherst, Massachusetts. She last wrote in these pages about Wall-E.

portrait of the author as a young ginger

POUR SOME SUGAR ON ME

"Trick or Treatz" - Metronomy (mp3)

"My Heart Rate Rapid" - Metronomy (mp3)

"You Could Easily Have Me" - Metronomy (mp3)

PREVIOUSLY ON THIS RECORDING

Viva La Oral History Of The State!

Relive the glorious of our childhood!

We did A Scorsese Week, Nobody Wrote About Taxi Driver

note the letters with a shiny sparkle below them

Reader Comments (5)

Rachel, onceuponatime I sent you letters when you were at camp which contained parentheticals within parentheticals within parentheticals etc... (did you discuss ellipses in this article? I did not see it (this is my problem with parentheticals, I always seem to manage to make them in such a way as to derail my sentence and make it difficult to read (but it's not really a problem, i kind of enjoy doing that, truth be told))) just so that I could end a sentence like so: ))))))). These letters also featured an ant who, i realize, should have wound up within those parentheses at one point or another. You've made them sound cozy here.

I tried to find your e-mail through mutual associates (slobyn and Tra-la-la) but I am impatient for their response.
You should send me an e-epistle sometime.
-- Craig

mj is my new favorite two letter construction in romanji.

August 15, 2008 | Unregistered CommenterGhoast

If you watch L O S T with Korean subtitles the word L O S T is translated as N O O B.
The Swedish for kiss, kiss is puss, puss.

August 16, 2008 | Unregistered Commenterdr mum

This was great!

August 17, 2008 | Unregistered CommenterMelanie

thannks

August 18, 2008 | Unregistered CommenterRAchel

[...] by elimaeTwo Poemsin 3:AM Magazine“It Happened in New York”published by This Recording“Hidden Imagery at the Letter Level”published by This Recording“The Week in Film”published by This Recording*Painting by [...]

October 24, 2008 | Unregistered CommenterKelly Spitzer » Blog Arc

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