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Alex Carnevale
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is dedicated to the enjoyment of audio and visual stimuli. Please visit our archives where we have uncovered the true importance of nearly everything. Should you want to reach us, e-mail alex dot carnevale at gmail dot com, but don't tell the spam robots. Consider contacting us if you wish to use This Recording in your classroom or club setting. We have given several talks at local Rotarys that we feel went really well.

Pretty used to being with Gwyneth

Regrets that her mother did not smoke

Frank in all directions

Jean Cocteau and Jean Marais

Simply cannot go back to them

Roll your eyes at Samuel Beckett

John Gregory Dunne and Joan Didion

Metaphors with eyes

Life of Mary MacLane

Circle what it is you want

Not really talking about women, just Diane

Felicity's disguise

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Wednesday
Aug202008

In Which We Follow the Curve of Her Thingy

Doll to Plop

by Molly Young

Scarlett Johansson: an actress best described in culinary metaphors. Skin like ice cream, mouth like a plum. Her beauty is appetizing more than impressive. There is something oversweet and transient about it, which is the reason I suspect Woody Allen enjoys putting her in his films. He has always been a voracious (if slightly troubling) admirer of feminine beauty, and the impulse to capture Scarlett's ripe spell for posterity must be irresistible. It is nice work if you can get it.

What you notice first in Vicky Cristina Barcelona is that the actress's individual features are not stunning. She has plain eyes, bleached hair, and a nose that someone (I can't remember who) once described as "porcine". And yet. Like a tasty meatloaf composed of bargain ingredients, Scarlett defies her components to come out very well in the end.

Part of her appeal is that Scarlett's looks will not age well. She will not, for example, look as good as her costar Patricia Clarkson at Clarkson's age. Clarkson has the look of someone whose beauty is ancillary to her other characteristics (intelligence, wit.) Scarlett, on the other hand, is one-dimensionally sensuous. Super-sensuous!

This is not a flaw. In fact, it makes her delightful to watch for exactly 90 minutes, the length of a film. During that time, especially when she is filmed by Woody Allen, there is nobody else you would rather watch. She is less an actress than a presence. By which I mean that her Scarlett Johansson-ness never, ever gets subsumed in any role she plays. It is this fact, more than her sexiness, which etches a time stamp on her forehead.

In Vicky Cristina Barcelona we find Woody Allen treating the actress like a doll to plop in different scenarios. We get Scarlett on a bike, Scarlett in a plane, Scarlett by the pool. She is delightful in every case, especially when her sweetness is spiked with more complicated actors.

Scarlett floats among them with the easy carriage of someone accustomed to adoration - a well-loved dog, say, or a pampered child. It is easy to feel jealous or resentful of her, but you're not doing yourself any favors by doing so. If you are tempted by these emotions, just remind yourself (in a voice tinged with creepiness) to relax and enjoy it. We should all be Scarlett fans.

Molly Young is the contributing editor to This Recording. She tumbls here and frolics here.

NEW MUSIC FOR OUR NEW APPRECIATION OF SCARLETT

"Turn to the Assassin" - Junip (mp3)

"Black Refuge" - Junip (mp3)

junip website

Junip are a Swedish band featuring José González.They released Black Refuge EP at the end of 2005, and although a full length album had been expected, it has not yet appeared.

"Ghosts (Me and You Forever)" - Katkhuda (mp3)

"Beneath the Arcade" - Katkhuda (mp3)

Katkhuda website

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