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Alex Carnevale
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Ethan Peterson

This Recording

is dedicated to the enjoyment of audio and visual stimuli. Please visit our archives where we have uncovered the true importance of nearly everything. Should you want to reach us, e-mail alex dot carnevale at gmail dot com, but don't tell the spam robots. Consider contacting us if you wish to use This Recording in your classroom or club setting. We have given several talks at local Rotarys that we feel went really well.

Pretty used to being with Gwyneth

Regrets that her mother did not smoke

Frank in all directions

Jean Cocteau and Jean Marais

Simply cannot go back to them

Roll your eyes at Samuel Beckett

John Gregory Dunne and Joan Didion

Metaphors with eyes

Life of Mary MacLane

Circle what it is you want

Not really talking about women, just Diane

Felicity's disguise

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Friday
Jun192009

In Which We Are Underneath The Ground, Hoping To Grab Your Feet

Hell Is Other Loan Officers

by ALEX CARNEVALE

For me, hell is being a loan officer at a California bank. For others, it's a delicate heaven, and Justin Long is a trained psychologist and also your boyfriend, and his mother wants him to marry a lawyer, and you're not good enough. Sam Raimi's incredible return to the horror genre takes this basic dismaying premise and makes things so much worse I was begging for sweet relief.

'i sense that you are juno's understudy...does this word 'juno' mean anything to you?'I have never been particularly good with horror films. A book can be put down; you can't see it, anyway. A light can be turned on in a dark closet. A grizzled old man who brushed against you accidentally on a crowded train can be reported to the police. But a film - that is a different story altogether. The only way to get around the diegesis, in this case, is to realize that the only thing that lurks in those shadows is death, and death is not really all that scary - in fact after watching an episode of Nurse Jackie, it's a welcome revelation.

Sam Raimi and his older brother Ivan have gotten around this by creating a series of hells, all of which exist in the real world, and have to be dealt with. There is actually something in all those shadows, there's no Macguffin making it all happen, no trick ending waiting. There's just eternal damnation, and running from it as fast as you possibly can.

sup?Christine Brown (Alison Lohman) is in the pickle I described, and she has to think of a way out of it. She's a bright, well-meaning young person, the kind of woman that under other circumstances you'd like to know or even impregnate, but not these particular circumstances, no. Her face is perfect for Raimi's purposes - even in quiet confidence it betrays an inner fear. Replacing Ellen Page, Lohman is a dead ringer for the androgynous young person, and she's as talented an actress.

go ask obama, I'm totally sure he'll write you a checkAfter denying a disgusting Gypsy woman another extension on her mortgage to impress her boss (David Paymer), she gets cursed with an object that marks her as fodder for a demon called Lamia. Demons! They just don't understand fiscal responsibility. The fact that Raimi turns this into a joke is hilarious, but there is also a major truth underneath this well-timed setup.

The banks were blamed for targeting the weak, for okaying loans that couldn't possibly be repaid. Little condemnation has come in for those who couldn't make their payments. Probably there is blame on both sides, and since the government bailed out only one of those sides, I'm not even sure who to be sympathetic to. That is where we are in American life - there are no winners, just different levels of losers in hock to a federal government that has no idea when to stop spending.

Thankfully it is in Drag Me to Hell that Judgment comes, Raimi-style. It doesn't matter who you are: if you have a button on your shirt, you're going underneath the ground where Hell is.

this happens at every single seance i go to

In order to avoid this fate, Christine gets barfed on, she kills animals, she throws up, she bleeds out, she tries anything to get herself uncursed. And as funny as this all should be, it's seriously frightening to know it's not in her head. She's a dead woman, but she won't die -- she'll live on in Hell.

By the end of the film she's trying to find a reason to justify condemning someone else to her fate, even wanting to bop off her sniveling Asian coworker before thinking better of it. The decision she comes to, and the ending the film spirals toward in the 99 minutes it holds you I won't spoil here, but it is more exciting than anything else that will hit theaters this summer.

lamia also nabbed david carradine recentlyWhat makes Raimi such a masterful director? When he's taking himself seriously instead of delivering another hammy Spiderman sequel, he is the best at stringing together action and humor, a relentlessly eye for how things should pile on top of each other to create something surprising and funny, but wholly real.

With Spiderman, he took a series of increasingly nonsensical scripts, and made a film completely foreign to them out of their mediocre dialogue and situations. He turned the superhero genre into comedy, and in doing so made all other like movies over-serious and dull. As in Spiderman, everything here holds a demonic menace: a messy psychologist's office, a medium's goat, the button on Christine's shirt. The next day, you can't even look at a doorknob without imagining yourself going through it full bore. There is no one better in the genre, and we can hope he finds reason to come back to horror again after Drag Me To Hell.

The film's had some moderate success at the box office, and while it is devoid of big stars, I think I have some idea why audiences didn't exactly flock in droves. It's pretty much the September 11th movie all over again. We have no desire to relive these horrors when worse is befalling us every day, in the seeming safety of what was America. We won't be safe again, not here. We will tear each other apart even if big banks lend more and people are able, again, to buy beyond their means. Once you've been cursed, you can't go back.

Alex Carnevale is the editor of This Recording. He tumbls here.

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"Reborn as a Wind Chime" - Silent Paper Radios (mp3) highly recommended

"Rise of the Foundling" - Silent Paper Radios (mp3)

"Bullet Holes" - Silent Paper Radios (mp3)

Silent Paper Radios myspace

Thursday
Jun182009

In Which That's The Way I Feel About You

Death of a Ladies Man

by MOLLY LAMBERT

Look, I have Reichian therapy in my background. Early on, I had problems with that most common kind of impotence, being quick, suddenness, which is actually a kind of jitter from holding on too hard and not feeling things, which is part of what we’re talking about. It’s all about actually feeling it, not in some locality but in the larger sense of the experience passing through your being. In my lifetime, from World War II on, the world got freer, just by nature. And then [AIDS] came along, now we have the Death Fuck.

- Jack Nicholson

Jack Nicholson is Erectile Dysfunction. He always has been, in all his films. He is the walking cinematic representation of impotence. The complete embodiment of the concept of Flawed Masculinity insofar as I've come to understand it. Did you know that an obsolete definition for the word impotent is "incapable of self-restraint"? It pleases me more than I'd like to admit watching The Hot Pole hit the brick wall known as Andropause so hard.

At a 1970 Hollywood party, a stoned Dennis Hopper turned to George Cukor - a gentleman of the old, studio school of moviemaking and the director of such classics as Adam's Rib and My Fair Lady-- and muttered, "We're going to bury you. We're gonna take over. You're finished." - from "Aging Bulls" Reason Magazine's review of Peter Biskind's book about Hollywood in the seventies.

See what I'm saying about Jack? The man IS the lack of an erection. Which is why he's so singularly obsessed with getting them onscreen. He finally got to whip out a huge black dildo in The Departed. You can sense Nicholson's glee at finally being free to be a Dirty Old Man, to turn out exactly like his buddy Marlon Brando. Since About Schmidt, he's become one of my favorite Jungian archetypes, the Man in a Flapping Open Bathrobe.

1981, when he was making The Postman Always Rings Twice, with Jessica Lange — a highly sexed-up piece that nonetheless features no nudity whatsoever. Jack, however, was dead set on making it "one of the naughtiest movies" and decided that the solution lay in showing an erection — "this kind of bulging railer" — through his 1940s pleated pants. To that end, he asked director Bob Rafelson to craft him a conventional prosthetic, but no one took him seriously, so when the day to shoot the scene arrived, he found himself empty-handed and irritated. Said Rafelson, "Well, jeez, if you’re so red-hot about this, go upstairs and see what you can do there." And so Jack did, "whipping away," he says, until he realized that some things were beyond even him.

I can only think of a few other Men In Flapping Open Bathrobes right now, Grady Tripp in Wonderboys, and Clare Quilty in Lolita, and the O.G. MIAFOBs King Lear and Job. Isn't Grady the name of the caretaker of The Overlook Hotel in The Shining? Jack's always come off like an arrogant cad, bathrobe flapping open proudly. Now he's a regretful old man in the same old frayed bathrobe, which has lost its matching belt.

Dustin Hoffman has what we call Jewish Overtalking Syndrome:

I've been doing movies since 1967. Have I been involved in movies that had scenes that made this exchange look like nothing? And did we hear stories of Jack Nicholson throwing a television set across the room trying to kill Roman Polanski in Chinatown? Did Bill Murray not pick up the producer who was running Universal and throw her into the lake on What About Bob?" The names keep coming: Gene Hackman, Mel Brooks, Robert Duvall. "We heard these things constantly. And shouldn't that happen if it has to happen? Yes.

Oh plz Dustin, stop trying to get Bill Murray in trouble just because there is not a YouTube video of Bill throwing Laura Ziskin into a lake. Even if there were a video of said incident it would probably be really funny and win him even more cool points for referencing the scene in Purple Rain where Prince makes Apollonia bathe in the rivers of "Lake Minnetonka."

A sidenote, Tom Schulman, who wrote the screenplay for What About Bob also wrote Dead Poets Society, Honey I Shrunk The Kids, and both wrote and directed 8 Heads In A Duffel Bag. Did anyone sense an artistic continuity between those four movies? I am becoming more conscious of things like this all the time.

guys let's just sit on this project till 2009 and call it the hangoverI heard a rumor that the flop Very Bad Things, a movie Comedy Central rotated in a continuous loop during the nineties with 8 Heads In A Duffel Bag, was based on a true bit of Hollywood lore. The story being that some seventies film luminaries, presumably including Polanski, Nicholson, and I think Robert Evans, had a hooker overdose or something at their place and they buried her in the desert Gram Parsons style.

Were there points in the seventies at which Roman Polanski deserved to have a television thrown at him? Certainly. Jack Nicholson still deserves to have a television or two lobbed at him for the pathetic way he treated Anjelica Huston. But everyone loves Jack, even I like him these days now that his Erectile Dysfunction has really kicked in and his palpable sadness about his impending death pours out of him in every interview.

A Pack A Day Habit Makes Jack A Sad Boy:

Having been said to have smoked a pack of cigarettes a day for most of his life, Jack Nicholson has confessed he's worried his smoking habit may have affected his health. "It is not so much that you fear that moment when somebody comes in and says, 'That's it. You're dead. You smoked too much,'" Jack tells the Los Angeles Times. "Well, that's not the real fear. The real fear is going through the process now and thinking, 'I'm dying of stupidity."

He's also desperate to fall in love again now that he's in his wintering years. His personal "bucket list" is "One last big romance." (uh, Lara Flynn Boyle's still probably free?) God Jack that's so cute I just want to squeeze your face! What a funny old man you've become. Did you not see the great film Carnal Knowledge, which you starred in?

I understand the eternal appeal of blunting your sadness with decades of drugs, drinks, smoking packs of cigarettes and whores. But you're so clearly a cool guy underneath it all who just wants to snuggle and gab. You are so dulled from overuse that you've started suffering Sexual Fantasy Block. Maybe you should scale it back a bit and see if that doesn't help.

Is anything more pathetic and poignant than bachelors going through Male Menopause? Somebody send Jack the last three seasons of The Sopranos. He's like an Irish-Catholic version of a Phillip Roth character. Not quite so stubborn, sadder and more willing to admit his mistakes, guilty as fucking fuck. The Irish are a loud, drunk, weepy, guilty, people.

Look, I remember myself as a teenager, so I know I’m not going to be the first parent that ever outsmarted a teenager, and I’m not trying. All I’m going to say is, everything they say is bad for you, pretty much it is bad for you. - Jack's advice to his teenage children.

Here's a rather nice quote from Dustin Hoffman:

One of the constants in my life is that I've never been bored, ever. Depressed, yes. I've been very depressed. I think it's a natural condition. I think we want life to be more than it is, somehow. But I don't know how you can be bored. Sometimes, you will be with someone who you feel is boring and I, as an actor, would say, 'What is the quality that makes that person boring to me?' And that's interesting, to deconstruct it.

Mike Nichols' floppedy The Fortune, starring Nicholson and Warren Beatty as con men, still isn't out on DVD. The studios banked on the stars for success and only gave Beatty the greenlight for Shampoo as part of a deal where he'd also make The Fortune.

My favorite strange but true fact about Jack Nicholson; during the publicity blitz for Chinatown, one reporter digging up Jack's background found out that the woman who had always claimed to be his sister was actually his mother, and the woman he thought was his mom was really his grandmother. Jack had been told his father was dead, but he was alive and drunk in New Jersey. But then it turned out his (grand)mother had probably been knocked up by her manager rather than her husband. Oh Irish-Catholics.

Jack Nicholson's Strange And Reprehensible/Incomprehensible View Of Women:

"These issues between men and women are not psychological. Look, remember what a gland is. Most of these are glandular issues. A gland is what allows that mother to lift that truck off a child. Whatever intelligent design is, it's not going to leave the continuation of the human species up to fashion-crazy, flitting mentalities. It's in those glands. The infatuation cycle of 18 months hasn't changed a lot since the monkeys. Look at the numbers. Eighteen months is nine months doubled. A woman's entire system is set so that when you're having that procreative act with a woman, you're dealing with a being whose actual cycle is nine months. It doesn't have to do with her brain. It has to do with her entire bodily system, which is there to overcome the brain. We don't legislate this stuff. We don't out-think it. You cannot change these fundamental things that we are as human beings--but you can adjust to it."

'Cunt is an acronym.’ ‘For what?’ ‘For can’t-understand-normal-thinking.’ Heh, heh, heh.

God that sounds like one of the grossly outdated sexist jokes from Mad Men. Bleccccch.

Jack on Catholicism:

"I've a very Catholic Irish grandmother, one of the Lynches. She is the root of the family, although my immediate family were failed Irish Catholics. So I had to haltingly investigate Catholicism by myself because nobody asked me to go to church. I was the oldest kid in my First Communion classes. In my opinion, if you're going to be theocratic, Catholicism is the most intelligent belief system. [My family was] Irish, and it manifested itself from an early age. I could always express my opinion, like everybody else, and things got talked about. I wasn't inhibited by anything."

Does anyone really mind that the old Easy Riders and Raging Bulls are being gradually replaced and restocked with Feminist Friendly Hollywood Good Boys like Will Smith and Ryan Gosling? I know I sure don't! I guess I'll be bummed out when my kids are like "Fuck you mom! We're going to the endless slumber party at the White House! President Miley Cyrus was right! Everyone over 30 should be shot point-blank in the face!"

Jack On The Dim Prospect of Finding True Love So Late In Life:

A little later on, both our composures regained, Jack lights up a cigarette, and through an occluding haze I ask him, “Do you think you’re a good guy?”

He doesn’t hesitate. “Yeah, I do. I’m pretty consistently well-intended. It’d be hard for me to recall where I’ve been underhanded.”

“Don’t you think cheating on your girls is kind of – ”

“I didn’t. I didn’t think so, no.”

“You didn’t think what?”

“That it was underhanded. I knew, for instance, when I got married, because of my libido – I was silently emanating to the above, ‘This does not mean there’s not going to be other women in my life. I’m taking certain vows here. [But] between you and me, let me be at least clear.’ There have been many times I’ve been totally sure, not having been put to the test, that it would be no problem for me to be, uh, what do you call it?

“Monogamous?”

Monogamous. Yeah. But many times I’ve thought, ‘This is impossible for me.’ Someone once said, ‘It’s not loving that you miss. It’s being loved.’ I don’t have that primary sense. I haven’t given up hope, but most of my friends think I’m a little goofy in that area, which is why I knew I would be singular at this point in my life.”

Awwww....Oh, Jack. Look if you're serious about romance and ready to grow up for the last few years of your life, maybe you ought to call your great friend Diane Keaton. Your scenes in Reds together are so hot that you manage to easily outsex Warren F'ing Beatty and Something's Gotta Give was clearly made just as a ploy to set you up with her again.

You genuinely respect Diane's character and intelligence. That's probably more than you can say about any of the other women in your life including your sister/mother and grand(mom). Chances are good she'd probably tolerate (and might very well be way into) your fantasies about Eleanor Roosevelt. Give it a shot. Stranger love stories have happened in Hollywood.

Molly Lambert is the managing editor of This Recording. She tumbls here.

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"Four Years" - Pete Yorn (mp3)

"Thinking of You" - Pete Yorn (mp3)

"Shotgun" - Pete Yorn (mp3)

"Relator" - Pete Yorn & Scarlett (mp3)

"Country" - Pete Yorn (mp3)

"Last Summer" - Pete Yorn (mp3)

Wednesday
Jun172009

In Which We Found Something You Can Get For Your Dad

12 Books Even Your Dad Would Love

by ALEX CARNEVALE

We can't all have a father, but some of us have fathers, and they require presents this time of year. The book is the perfect gift for Father's Day (Sunday!) because it tells your dad that you love him but you're not in love with him. Here are some books for their pleasure which will make them believe.

The Moon Is A Harsh Mistress, Robert Heinlein's classic tale of lunar revolution is a page-turner on an epic scale, nurturing your daddy's interest in global politics and differential gravity. Heinlein's masterpiece is compulsively readable; it is also the best textbook on government ever conceived. All it's missing is the sex, and your pop probably is used to not getting that. One of the greatest American novels ever written, The Moon Is A Harsh Mistress beats the shit out of anything published this year for sure.

The first novel of the poet Paul Beatty, The White Boy Shuffle has had a strange cult following since its release that I think the CIA should be looking into. It's a relentlessly funny smart book. If your dad is crotchety and boring like Tom Brokaw, I don't say that this is the right move, but if he's more like Woody Harrelson, I think you're safe.

John Derbyshire is a Brit who lives on Long Island. He's on the crotchety side, is a lot old-fashioned, but these are the kinds of exacting people who you want writing a serious history of mathematics. His chronicle of Bernard Riemann's story is a masterful retelling on the level of Dava Sobel's equally entertaining Longitude. For the dad that makes everyone listen to his stories.

'Popular military historian' isn't a thing you grow up wanting to become. Victor Davis Hanson is the finest of the kind, having written a memoir/history of California's immigration problem (Mexifornia) and a terrific book on the Pelopennesian War. Ripples of Battle is a great gift for the kind of dad who drives a pickup truck and believes he's smarter than he actually is. VDH will appeal to him on every conceivable level except his love of sweater-vests.

While many science fiction writers have become household names because of movies, Hollywood hasn't come calling for Robert Silverberg. This is regrettable, because as SF fabulists go, Silverberg's among the smarter conceptualists and better executors. His novella 'Nightwings' became the first part of his novel Nightwings, and it won a major shitload of awards at the time. It's the perfect fable. The protagonist is even old. It's what derlies love to read about, and it has alien invaders and a future dying Earth and pretty much anything I've ever asked for in a work of fiction.

Unlike most people I know, I went through a serious phase in which I read a lot of serial killer novels, the kind you take with you on planes and throw in the garbage somewhere in the middle of the Colorado rockies. The finest of such novels in my mind is Jeffrey Deaver's The Empty Chair. I have some small but meaningful requirements for a novel of this kind. First, it must have explicit sex. Second, the protagonist should have to overcome an incapacitating physical failure - in the case of Detective Lincoln Rhyme (played by Denzel Washington in The Bone Collector) he's a quadrapilegic. Third is a Southern setting. The Empty Chair has all three, along with a kickass villain and enough twists to puzzle even the wisest soothsayer. You won't be sorry you got him this one.

Poker books. I've read and masticated myself to the tune of damn near all of them. If your Dad is actually good at poker and wants a strategy guide of sorts, be sure and pick him up a copy of Gus Hansen's Every Hand Revealed. Gus is one hilarious chimichanga and he takes you through his amazing thought process at every level of a million dollar tournament that he dominated. Fascinating one of a kind stuff. If your dad is more of a casual gambler, charity God and legendary cash game player Barry Greenstein's autobiography-cum-poker guide Ace on the River is good for succeeding in business or at most anything. Priceless advice, incredibly beautiful book, hilarious as well.

Horror: it has never gotten any better than Richard Matheson's Now You See It... I'm not sure that it could get any better. Magic and murder! If someone would get on the ball and cast David Blaine in a stage adaptation of this, they would be able to wipe their ass with money. A brilliantly twisty and scary journey with another quadriplegic. This book is everything that's right about the genre. 

A man, even one such as your father, wants a book that makes him feel weak instead of strong (esp. in light of how The Hangover made him feel like he was six years old). Worry no longer. When it comes to well-meaning self-helpery, second best to Ayn Rand are the inspirational words of Jesus Christ, and best after that is the immortal autobiography of the Italian painter Giorgio De Chirico. Witty and wise, de Chirico's real life story has a worthy fictional counterpart in Kurt Vonnegut's best novel, Bluebeard. Warning: sampling both back-to-back could kill you with paint fumes.

As we get older, we become crotchety. This is the inevitable result of time's onward march. No one has put this perspective to better use than Thomas Sowell, and dude has reason to be pissed. Born in Harlem, Sowell was an iconoclast before the term was invented. The pioneering economist had a tough life, and the lessons he learned in war and peace, government and academia, are highly amusing. You can't go wrong with this autobiography, which the longtime columnist titled A Personal Odyssey.

Alex Carnevale is the editor of This Recording, and most likely knows your father better than you do. He tumbls here.

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"Capturing Moods" - Rilo Kiley (mp3)

"The Good That Won't Come Out" - Rilo Kiley (mp3)

"Paint's Peeling" - Rilo Kiley (mp3)