In Which Aaron Paul Has Broken Every Heart So Completely

Mary Cox Came and I Don't Care

by DICK CHENEY

The Path
creator Jessica Goldberg

In 2014, national legislation was introduced to Congress to ensure that Aaron Paul would never be able to play any other character except Jesse Pinkman. Obstructionists in both parties torpedoed this remarkable motion, and I sob every day that I have to watch the utter shit Vince Gilligan named Better Call Saul. I don't care about what a bunch of gross lawyers do in Albuquerque. I only care about what Jesse Pinkman did after he drove off that day, and he was happy. Where did he go, what did he do, and who did he do?

Apparently he married Michelle Monaghan. He is not really all that happy with her on Hulu's original series The Path, although they have two children together. After his return from a mission in Peru, Jesse (I will not call him by another name) starts acting kinda secretive and weird. Instead of assuming what is most likely — that Jesse is cooking meth again — Michelle thinks that he is cheating on her with a younger version of herself. She tracks Jesse Pinkman to a motel and watches him enter a second-floor room.

Cal Roberts (Hugh Dancy) is the ostensible leader of the Meyerist cult, which houses both Michelle and Jesse Pinkman. Dancy looks like he has lost a lot of weight since Hannibal and his marriage to Claire Danes. On The Path, he has a thing for Michelle Monaghan, even though a woman named Mary Cox (Cocks? not sure) is throwing herself at him in almost every single scene ever since a tornado destroyed her New Hampshire trailer park.

The cult is pretty boring. They sometimes take drugs to enable hallucinations, and they light these weird little fires around their experiences. They are very big on getting over pain, and they are all excellent woodcarvers. The missionary side of the movement involves outreach in disaster relief and drug rehabilitation. The clothing that the members of the cult wear is soft and maybe handmade. It is often see-through, which accentuates the generous improvements to the physique of one Jesse Pinkman.

I am a little tired of every single male character on television being a great father but a terrible husband. This is a cliche that has gone way too far. Jesse becomes suspicious of the cult that his wife was born into, so he drives to the library where he drops the loaded phrase "Is Meyerism real?" into Google. The soundtrack of The Path really kicks in during these decisive moments. It turns out that Jesse is not actually cheating on his wife, just her set of beliefs.

As bad as The Path is, it has a decent cast and high production values. If you kinda squint and pretend this is actually Jesse Pinkman and not some worthless facsimile of a great character, The Path is substantially better than the show that replaced the greatest show ever on television, Better Call Saul.

The emotional center of Better Call Saul has been the relationship between the titular lawyer and his blonde love interest. I cannot fully explain how little I care about any of the people on the show; how they make the individuals involved in the propagation and sale of illegal drugs look like saints in comparison. Everyone is a villain in Better Call Saul, just as everyone on The Path is radical cultist with a heart of gold and a deep dark secret.

One night Mary Cox approaches Hugh Dancy and asks him to cheat on Claire Danes. She drops her soft slip to the ground and offers herself to the man's intense charisma. He refuses her offer of a blowjob and she explains that her father had been selling her to men since she was a child. Dancy is the best part of The Path, since he is great at projecting a menace that switches back and forth between threatening and reassuring. He goes and smashes her father's face into a microwave, and then gives a speech where he compares modern existence to Plato's allegory of the cave.

As the doubter of the cult, Jesse is a regular family man without much in the way of hobbies or distractions. He explains to his followers that when he was a young his brother took care of him. They lived in apartment and he thought they were happy, but his brother ended up hanging from an extension cord and Jesse was left on his own. The fact that Jesse Pinkman came from a fine background and ended up in shit, while this character came from nothing and has a loving family in glorious upstate New York does not make sense to me on any level.

I think we can all agree that Breaking Bad never should have ended when it did. The world that Jesse and Walter White created for themselves in Albuquerque had to blow up — the entire run built to that moment when he was caught. But Walter White could have gone through the legal process. I would have loved to have seen how he handled it, and jail. And then you could have broken him out of jail — Jesse could have done it, and they could live together in South America as lovers. That's all I ever wanted.

Dick Cheney is the senior contributor to This Recording.

"Marble Arch" - Trembling Bells (mp3)

"Show Me A Hole (And I'll Crawl In It)" - Trembling Bells (mp3)

In Which Why Does It Feel Like My Feet Can't Leave The Ground

Onwards and Upwards

by DICK CHENEY

Breaking Bad
creator Vince Gilligan

It was about halfway into the series finale of Breaking Bad when I started thinking about a conversation I once had with Gordon Libby. He was like, "I'm really tired of everyone on television being a criminal I can't empathize with." I just looked at him and sipped a mai tai. These fucking people.

You know the type of individual who goes around saying, "I don't know why everyone is so into Breaking Bad, why are they always saying I should watch it; I am content with Vuillard's The Stevedores and the complex moral cinema of Eric Rohmer..." I forgive this sort of person everything, because it is the American way to use your own ingenuity to make yourself look better, feel better, seem better.

is this the AARP? You...wield too much political power, sir.Throughout this last episode, all of the people Walt met told him, "You look like hell." The irony was that he never looked better; as a criminal mastermind the stress lines looked like they were about to split his face. Standing in front of his wife as God intended, he looked super beautiful and charismatic.

I guess what I'm saying is that I don't think they knew Walt very well, at least not how I knew him.

There's only one day left in Subway's $5 dollar footlong promotion, Skyler. I must be going.
The most emotional scene from last night's Breaking Bad finale was Walt's conversation with his wife, because he lied to her. He said he cooked meth because it made him feel alive. This was complete and utter bullshit, a master class in telling her what she wanted to hear. In the final analysis, Walt was able to forgive these people who did nothing but profit from his own acumen.

I don't know what Walt did that was supposed to be so bad. I guess people think cooking a drug for others to enjoy is wrong. I don't where they learned this. Everyone he killed, he had a damn good reason to do so, especially Mike. That fuck Mike.

no one knew how to hibernate quite like this woman

Simple things you could learn in any basic chemistry course. We don't have any of that ingenuity, it's all fabricated in factories across an ocean. That's where things are made, at great cost but with great benefits for those who risk it. Every day Flynn went to school, Lewis drove him. I never found out why it's dangerous to drive a car with only one foot, there wasn't some shit-for-a-head AMC half shaven twitter handle to explain it to me then after the show was over.

as unhappy as every other unpaid intern

For years Walt and Jesse never had sex, or had sex so infrequently they never mentioned to it anyone. Watching Walt stroll around Gretchen and Elliott's palatial estate, it reminds you what a monk he really is. As the poet said, "I have sacrificed everything, including sex and woman, or lost them, to this attempt to acquire complete concentration."

Watching the scarred Jesse Pinkman sail into the sunset, I couldn't help but think of all that was given him. He had no purpose in life; now he feels happier than any man who ever lived.

shocked there wasn't a last visit to marie, at least send a gift basket, maybe some prunes and a reminder she's a shoplifter
Entitlement festers and grows. Gretchen and Elliott only lock a part of their house. Fear is divided routinely by windowpanes, support beams. Cutting something up reduces its power, of course. The simple shattered presence of a man they know is enough to frighten them. Can you imagine these people storming the beaches of Normandy? (As a side note, I found the character of Elliott to be bracingly anti-Semitic and I have written a letter to Vince Gilligan strongly expressing my disapproval of this meme.)

gretchen, you lie to charlie rose and this is what happens, ask his interns
And it's easy to survive a gunshot wound, especially if you're pretty sure one might be coming. A spin-off would just ruin this.

We could have forgiven almost any choice that Walter White made, because we knew it was up to him and not ourselves. This is a teaching moment, because children are not taught a theory of forgiveness, they are taught a theory of punishment. Forgiveness faded from the whorl roughly the same time that AOL merged with Time Warner. It re-emerged for me the first time I killed a dictator I could only see on a video screen. Monsters deserve death, but only some crimes make a person one, not all. (Like Walt, the last person I forgave was myself.)

dividing lines GET IT
I have to admit I did instruct people to watch Breaking Bad, and when I did so, I managed a certain unctuous tone in my voice. The tone of voice I used to tell them to view this experience was identical to Todd's admonition to his progenitor - "You shouldn't have come back here, Mr. White" - in every way but one: my admonition was sincere.

I do not expect people to always do what I ask, but they do need to know that I ask it for a good reason. It is because I love them and I want them to be happy.

This tone of voice was also meant to convey that by following through with my request, they would attain something divine for themselves, provided they fast forwarded past all the office scenes where Skyler flirted with Ted. (Those were gross.) When I watched Breaking Bad, I thought of those individuals I told, and whether they were thinking what I was as I watched, or thinking of me at all. Sometimes, but only sometimes, I miss her.

Dick Cheney is the senior contributor to This Recording. He is a writer living in an undisclosed location and the former vice president of the United States of America. You can find an archive of his writing on This Recording here. He last wrote in these pages about the fourth season of Downton Abbey. 

"UFO" - One Eskimo (mp3)

"Alvar" - Goldfrapp (mp3)

In Which There Is Nothing To Be Afraid Of

Lady Banjo Eyes

by DICK CHENEY

Breaking Bad
creator Vince Gilligan

True Blood
creator Alan Ball

Walter White (Bryan Cranston) is distracted from his job for a moment, but no more. On his 51st birthday, his wife slowly walks, fully-clothed, into the family pool. She can't get good with the way things are now that Walt is running his own business. She chainsmokes in the home, she begs for his cancer to return, she can barely manage to bake a chocolate cake. Her behavior is so exaggerated that she has turned into the Danielle Steele version of an adulterous wife.

It's a lot harder to write a character sketch like this about the protagonists in the eighteenth season of HBO's True Blood. What's that you say? It only feels like the eighteenth season? No matter. The typical scene on True Blood lasts only the thirty or forty seconds it might take you to get bored of it before moving onto the next character. It's like skipping from YouTube to YouTube, and in every episode, there are over a thousand.

not casting Fred Savage as Godric was an almost unforgivable mistake

The character I least understand on True Blood is Eric Northman. When the show began he was completely committed to the superiority of vampires over humans, now he walks around acting like he's Saint Ignatius. You have never seen a man so completely convinced there is no vampire god. He's become a Christian message board troll who waits for someone to espouse their faith in under 130 characters and then chimes in with a "Not likely!"

Understanding the motivations of a drama's personages is the first step to empathizing with their predicament. I almost admire how much True Blood eschews this. The only time it has its characters even react to the madness that surrounds them is when they cry afterwards. By the next episode, they are generally fine. The rule on True Blood - that everyone gets a storyline - extends even to the most peripheral characters, especially if they were kind enough to offer Alan Ball an on-set blowjob.

Alan Ball and Anna Paquin will not be doing any USO tours, of that much we can be certain

After a time, playing with the lives of fictional people becomes like moving things around on your desk. Alan Ball hates God so completely he had to become him.

Everything bad on True Blood is associated with religion, even the eating of a child. Ball believes that faith is the corruptor, the scapegoat instrument by which evil is wrought. His most sincere and good-willed individuals on the show are completely without faith; they feel lost in the world as he does, and simply by virtue of not knowing exactly what they are, are blessed and imagined as heroes.

No such luck for Walter White. He spent his entire life before he got brain cancer afraid of things, unable to decide who he was or what he should be doing with his life. Once he realized that, his new problems began.

I have lived longer than anyone I have talked about so far in this essai besides Eric Northman. One of mankind's most enduring cliches is that success comes with a price. (This cliche was first associated with Jesus, and later, Kristen Stewart.)

Whatever truth there is in this statement exists completely outside the realm of human experience. For those who aren't successsful, no price is too high. And for those who are successful, like the creators of Breaking Bad and True Blood, there must be some other reason for their unhappiness, an explanation that lies outside themselves. If they actually found they liked being miserable, success would feel like a curse.

taking Nancy Pelosi's dream and bringing it to life

Basically, it's easy to forget that you are the one who knocks. Many years ago my daughter came to me and explained that one of her classmates was afraid of me. What was I going to do about that? I offered to meet the young man, and he came over to our house for dinner. I asked him if he still felt afraid of me. "No," he said. I told him to wait.

Walter White is happy, perhaps the happiest he's ever been, but there is no one to enjoy it with him. Is this what it is truly like to run a critically acclaimed television series? Must there be a feeling in everything that they will be found out as a fraud, a charlatan? Did Matthew Weiner put his blood in a syringe and infect everyone in Hollywood with his identical insecurities?

I noticed some years ago that I find myself happier in the company of sad people, simply by comparison. And when I meet truly happy people - Oliver North comes to mind - I feel sorry for myself, that I cannot be as they are. Even more astonishing is that I am allowed to behave this way by the people in my life.

Beel, drain this woman while I watch the uneven bars

There might be another reason that this cliche keeps reoccuring in our popular fictions. Vampire leader Salome Agrippa (Valentina Cervi) has quickly become the worst character on True Blood. Her scenes are completely boring; she speaks with a vague monotone that is supposed to come off as threatening but in reality just lulls the viewer to sleep. Her idea of acting consists of brushing back her bangs. If I have to view her bare chest one more time, I'm going to start missing the acting "skills" of the guy who played Lafayette's top.

But besides the fact that Salome can't act and looks completely unappealing without clothes, the various travails of Salome don't interest me or my wife because she is truly satisfied with herself. Salome is incapable of change. Eventually this will be her downfall as she tries to take over the world for her vampire God, but until then I guess I have to keep watching Bill (Stephen Moyer) penetrating her with his ass raised high in the air, like he's about to hammer a nail.

you killed off Christopher Meloni FOR THIS?

True Blood and Breaking Bad, as they ascended to their first heights, made a point of portraying strong and powerful women. Now that these dramas near their conclusion, these women are actually revealed only as exceptions to the general rule of female archetypes - power and vulnerability can no longer exist within one human person. There may be sexism behind this, and I'm sure there is, but I can suggest another cause as well.

sexism, yoWhen a man changes his mind, or becomes something different than what he is, it is not a betrayal. This is expected of him: it happens when he begins a household, settles down with his partner, has children. These are all changes for him, and the responsiblities are said to improve who he is.

When these things happen to a woman, it is thought to be no more than a natural extension of herself. Lies. This vicious canard is completely subsumed in how men think of the opposite sex. But the reality is not that women aren't changed by the contours of family and marriage. It is that, on a conscious or even subconscious level, women are better at understanding what change implies than men will ever be.

Dick Cheney is the senior contributor to This Recording. He is the former vice president of the United States. You can find an archive of his writing on This Recording here. He last wrote in these pages about the beginning of Breaking Bad's season.

"We Are Not Good People" - Bloc Party (mp3)

"Octopus" - Bloc Party (mp3)

The new album from Bloc Party is entitled Four, and it will be released on August 20th.