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is dedicated to the enjoyment of audio and visual stimuli. Please visit our archives where we have uncovered the true importance of nearly everything. Should you want to reach us, e-mail alex dot carnevale at gmail dot com, but don't tell the spam robots. Consider contacting us if you wish to use This Recording in your classroom or club setting. We have given several talks at local Rotarys that we feel went really well.

Pretty used to being with Gwyneth

Regrets that her mother did not smoke

Frank in all directions

Jean Cocteau and Jean Marais

Simply cannot go back to them

Roll your eyes at Samuel Beckett

John Gregory Dunne and Joan Didion

Metaphors with eyes

Life of Mary MacLane

Circle what it is you want

Not really talking about women, just Diane

Felicity's disguise

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Entries in anne hathaway (2)

Tuesday
May312016

In Which Johnny Depp And Amber Heard Look Through The Glass

Wonderland Diary

by ALEX CARNEVALE

Alice Through the Looking Glass
dir. James Bobin
113 minutes

Alice Kingsleigh (Mia Wasikowska) is a ship's captain for an international conglomerate. It is unclear what exactly she has done to earn such a title, but she is clearly good at what she does. She returns to the firm's partners with pressing news about possible new trade routes. They tell her actually this is her last voyage and women should stay at home where they belong.

Dispirited, Alice strolls into a mirror and reverts to her childhood self, as some of us are wont to do. She finds Johnny Depp wearing some appalling makeup. Depp is in the midst of a psychiatric episode, but he thinks everyone else is the crazy one. Director James Bobin and producer Tim Burton probably should have seen this coming from their friend. Dressing an abuser up in disturbed facepaint and making him appear like a lonely old crank fits basically with what we know of Depp's recent behavior.

When Depp left his partner of fourteen years, Vanessa Paradis, and later asked her to explain that he did not actually strike a woman she knows nothing about, Amber Heard, he did not lock himself up in a house like the Mad Hatter. He probably did wear makeup to look younger, for although Depp made an incredible amount of money from Walt Disney Pictures, he no longer possesses the youthful vibrancy which propelled his understated acting style in the early days.

At least with the Mad Hatter in 2010's Alice in Wonderland, there was a joie de vivre that obscured whatever disturbed sadness was at the heart of this father of two. In Alice Through the Looking Glass it could not be more clear we are viewing a deeply unhappy person in the guise of a children's comedian. It is not unlike watching the last days of Pee-Wee Herman's Playhouse or the time Mr. Rogers made that little girl cry.

The theme of Alice Through the Looking Glass is the oldest sexism imaginable: it is that women have no particular goals or person without men to serve in some fashion. In order to make the Mad Hatter happy again, Alice plans to journey into the past to prevent the events that led him to become sad. To accomplish that, she contacts Time (Sacha Baron Cohen), in a career move even more perplexing than The Brothers Grimsby.

At one point or another Amber Heard posted these really sad videos of her in bed. She is nude and in bed, but there is nothing really close to sexy about them. The viewer quickly realizes they are the desperate work of a profoundly lonely and unhappy person. Why she married such an older man in the first place would be unclear if Depp's personality were not just as manic as her own. Such individuals can never find a concord within each other, and are all extremes.

The couple took their Yorkshire terriers Pistol and Boo to Australia. It never seemed like such a big deal at the time, although they might easily have afforded a dogsitter. What was most reprehensible was the tongue-in-cheek apology video they were forced to record by the Australian government, where they both revealed themselves as half-chastened, half-impudent children. "If everybody minded their own business,' the Duchess said in a hoarse growl, "the world would go round a deal faster than it does."

Alice Through the Looking Glass posits that there is some utility in returning to what we were as children. This operates in a few ways: Alice is able to surmount any fear, apprehension or anxiety in decision-making. Alice has many friends who refuse to judge her and she doesn't judge them, either. Finally, the vocabulary the now-adult Alice uses in Underland is completely altered; by not having to use adult words she defuses the basic power of rhetoric. In Underland a regressive emotionality always triumphs.

After Alice Through the Looking Glass dispenses with its timely version of pretend feminism, it becomes essentially a time-travel film. In this confused movie's best scene, the Mad Hatter meets Alice for the first time when she might be meeting him for the last time. Sadly, neither has much to say to each other, since their relationship is more about the anxious enjoyment we exchange with people who we admire rather than a genuine connection.

Was this what brought Heard and Depp together in the first place? After the judge's preliminary hearing on the divorce proceedings, some awful photographer took a picture of Amber weeping in her car. Whatever form it took, Depp's abuse of her is an terrible, disgusting thing, and he seems to know it because he immediately made all his friends vouch for what a kind, gentle soul could throw a phone at another human being's head.

I was actually surprised to see Amber so affected by the proceedings. I have witnessed that when people are angry at each other in relationships it can turn to hate, disgust and disrespect almost instantly, but I find it so difficult to forget or abandon feelings of love, or even respect. Depp's decision to drag his children into the process — kids who naturally loathed their mother's replacement and heard Depp's now-deceased mother denigrate her on many occasions — was an interesting choice. Depp's only concern now is the impact this publicity will have on his career of marketing literature from disturbed old men not entirely dissimilar to himself as entertainment for young girls.

It makes sense that the infantile people who produced Alice Through the Looking Glass would see no real difference between childhood and adulthood. For that reason Alice's journey comes across as incredibly cynical, and her deliberate abandonment of the real world and real struggles for an alternate, fantasy universe quite cowardly. The children who wandered into Narnia did so by accident, and they stayed there out of love and necessity. Alice escapes to Underland when she doesn't get her way, and she stays there because it feels good.

This essential hedonism was possibly all that Johnny Depp and Amber Heard shared. In pictures the two genuinely look alike despite the difference in their age. Even the tone and structure of their bodies, from facial features to bone structure mirrors each other. Could that have been their biggest difficulty? We do not want exactly what we already have – or maybe we do, but not for so long.

Alex Carnevale is the editor of This Recording.

"Faint of Heart" - Tegan & Sara (mp3)


Tuesday
Jan082013

In Which Almost Nobody Is Dirty At All

Young and Unafraid

by KARA VANDERBIJL

Les Misérables
dir. Tom Hooper
157 minutes

1. Wait, this didn’t happen during the French Revolution? I thought that was the only element of French history worth talking about!

2.  As voiced by a young man on the way out of the theater with his grandmother, “There was a lot of singing.”

3. It is generally assumed that all Europeans speak with British accents, regardless of their nationality.

4. This is a bizarre sort of artistic colonialism.

5. There are a limited number of British actors. As such, Helena Bonham-Carter appears in almost all films that require a woman with a British accent.


6. This is forgivable, because she really is quite good.

7. Anne Hathaway’s performance of poor Fantine’s “I Dreamed a Dream” was beautiful, and should win her all sorts of prizes. Regardless, I got a kick out of imagining her lip-synching to Susan Boyle’s rendition.

8. At some point or another, most people will claim that they wish they could have been born in a previous era, just to “see what it would have been like”. However, most of these poor saps imagine transporting back to a charmed time where they'd sit in front of a roaring fire in silks eating grilled meat off a bread platter in a well-guarded, well-cleaned castle. Les Misérables reminds us that most of us would have been lucky to have been working-class.


9. Speaking of which, I saw a hashtag on Rich Kids of Instagram the other day that said — I kid you not — “1% for life”. Really? Really? They are actually people walking around in the world vocalizing that kind of nonsense and they’re not being trampled by hordes of angry peasants? 

10. Let’s build some barricades in Beverly Hills!

11. My cousin shared with me before the show that the man who plays the Bishop in this version of Les Misérables, Colm Wilkinson, originated the role of Valjean in the West End and on Broadway.  This trivia made me blubber almost uncontrollably at the end when he welcomes Hugh Jackman into the embrace of heaven, essentially blessing him as the heir of a timeless tradition.

12. Everyone should aspire to welcome Hugh Jackman into the embrace of heaven.

13. Who knew he could sing and didn’t tell me?

14. Let’s play a game where we count how many people on our morning trains will now be reading Les Misérables. I played this last month, but with Anna Karenina. Nobody I saw had ever made it past the first hundred pages. Some of them were frowning. All of them had bought the edition with the movie cover on the front. I predict that by now, most of those editions are now collecting dust on the bottom shelf of a bookcase.


15. There’s an old joke floating around that the Koreans didn’t appreciate how long The Sound of Music was, so they cut out all the songs. I have no idea whether or not it is based on fact or whether it is just a racist jab, which I am more inclined to believe, but if I could perform similar magic on Les Mis I’d cut out all the parts with Russell Crowe, who plays Inspector Javert.

16. Javert should be fearsome and loathsome both. Crowe’s performance allowed us to empathize with the character a bit too much, and I don’t want to understand Javert as much as fear and hate him. Also, his shoulders should be at least as wide as Jackman’s if we are to believe that they are archenemies.

17. Pronouncing the “s” at the end of Misérables is like a person wearing a neon-colored polo shirt who then pops the color of said shirt in that I will forgive neither of them.

18. It was a mystery to me, until viewing the film, why Cosette’s face should be on the poster of every production, stage or cinematic, of this story. Amanda Seyfried’s depiction was precious, although her voice reached ear-splitting heights only before attained by the mice from Cinderella. Cosette is only interesting in that she inspires other characters to greatness. She is a small symbol of the revolution, sort of like a New Year’s resolution.

19. I sat very close to the screen during my viewing. This was not my choice, because I suffer from motion sickness and had to close my eyes during what I felt were key action sequences. I often opened my eyes to a very close shot of Hathaway or Jackman or Redmayne belting out their numbers, which felt very personal, although I never did feel the need to be that intimate with their dental work.

20. This was interesting camera work on Tom Hooper’s part, giving the audience the impression that we were viewing a sort of anachronous musical reality television special, straight from the slums of Paris.


21. Eponine (Samantha Barks) would make a great reality-TV show character. Not only is she the neglected angle of a tense love triangle, but she also dies, saving anyone from having to kick her off the... barricade.

22. Everyone has seen some high-school or college production of this musical; there were so many people crying in the theater at the end that it felt a little bit like my tenth birthday party.

23. Visually, Les Misérables is a smorgasbord. Its birds-eye views of Paris and high-definition details of dirty teeth achieve what the musical will never be able to on stage, which seems a bit unfair. How many people will now say, “Well, Les Mis is in town, but I have it on DVD, so why bother?”

24. You know which one is next, right? Wicked.

25. There was a trailer for an awful-looking movie starring James Franco which had something to do with Oz and it looked so bad that I almost left the theater before the movie even started.

26. There should be a word for forgetting which movie you have paid to see by the time the previews are over.

27. Thanks to this, one might almost be able to forget the 1998 version of Les Misérables starring Liam Neeson in which he falls in love with Fantine and Geoffrey Rush isn't a pirate and almost nobody is dirty at all. 

Kara VanderBijl is the senior editor of This Recording. She is a writer living in Chicago. She last wrote in these pages about the scavengers. She tumbls here and twitters here.

"Slow Beginnings" - Alameda (mp3)

"Swollen Light" - Alameda (mp3)