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Entries in cameron crowe (2)

Thursday
Jan192012

In Which Cameron Crowe Imprisons Various Animals

Zoo Inspection Blues

by HANSON O'HAVER

We Bought A Zoo
dir. Cameron Crowe
123 minutes

There exist in American culture two popular sentiments. The first is that we should be able to do almost anything, free from interference from government regulators or responsibility. The second is that we should do anything we're allowed to do. In practice, this sometimes leads to bad decisions things like owning dozens of guns, or regularly eating a cheeseburgers with donut buns. Things like buying a private zoo.

We Bought A Zoo, starring Matt Damon, Elle Fanning, Scarlett Johansson, Thomas Haden Church, and Colin Ford, breathes insight into one such decision. In the film, Damon plays the newly widowed father of a 14-year-old boy (Ford) and a seven year old girl (Maggie Elizabeth Jones). When his son begins acting up (making disturbing drawings, stealing) and the newspaper he writes for offers to give him a blog column, he knows that it's time to make a drastic change. He decides to quit his job and to move out of the city. He goes house hunting with his daughter and real estate agent JB Smoove (Leon from Curb Your Enthusiasm) and almost strikes out, until at the end of the day (the stapled print-out of prospective homes is flipped to the last page) he finds the perfect house. There is, of course, one thing that stops it from being so, as the following dialogue explains:

DAMON: This is the perfect house.

SMOOVE: Well, there is one thing.

Lion's roar.

SMOOVE: It's a zoo.

Like all the best sentences, "We bought a zoo" can mean so many different things. Is it declarative? Scared? Shocked? We Bought A Zoo encompasses all these emotions and more.

I. Shocked ("We… bought a zoo?")

It is not really Matt Damon's decision to buy the zoo. When he's told that the zoo comes with the house, and that if no one buys the house the animals will be killed, he's resigned to letting them die and finding another place. "That's life," he says. JB Smoove agrees, adding, "That's life." But when he sees his daughter talking to geese, he realizes what must be done. Drunk on the love of a seven-year-old, he buys a zoo. His son and his brother don't take the news very well.

II. Nervous ("We bought… a… a..a…zoo.")

The zoo, of course, requires hundreds of thousands of dollars of repairs and upgrades before it can be reopened to the public. Its staff, led by Scarlett Johansson, isn't sure if Damon has what it takes. Damon tries his best, but it seems unlikely that they'll be able to get everything up to code by July. The government inspector is very tough and also mean, we're repeatedly reminded, despite the fact that it seems very reasonable that a zoo that literally has lions and tigers and bears be up to the latest in safety measures.

III. Defensive ("We bought a zoo.")

Were you talking shit on people who buy home zoos? Well you better stop. Because Damon, family, and the zoo crew are working together. They're going to have the place ready come inspection time, doubters be damned. When someone asks Damon why he bought a zoo, he asks "Why not?" And he's right: Why not purchase a home zoo with 72 varieties of exotic animals that require expensive expert care just six months after your wife's death leaves you a widower with two young kids?

As Damon learns, however, a positive attitude isn't always enough. During one especially poignant scene, he has to decide to put an aging tiger to sleep. As we can see from the use of Bon Iver's "Holocene", the tiger's death is a metaphor for letting go of his wife. No one told him running a zoo would be easy. Luckily, when Damon runs out of money, he finds a deposit slip for $84,000 that his wife left him when she died. He uses this money to finish making upgrades to the facilities.

IV. Exuberant ("WE BOUGHT A ZOO!")

The big government inspector fakes that he's going to fail them, but then he doesn't. The day before the zoo is set to open, however, Southern California experiences a torrential downpour, in what can only be described as "man vs. nature." Luckily, the next day is sunny. At 10:02, two minutes after the zoo was set to open, there are still no visitors. "Dad, there's something wrong," the once-misguided son says. Matt Damon reassures him, but he says that there is literally something wrong and then runs down the road leading to the zoo. The family follows, and we learn that the storm knocked a tree into the road, which has prevented the sizable crowd from making it all the way to the zoo. Matt Damon is proud: "We bought a zoo! We did that!" The opening is a success.

V. Afterword ("We have a zoo.")

The people of Southern California love Matt Damon family's zoo. The first day is filled with smiles, lens flare, and an unearned post-rock soundtrack from Sigur Rós's Jónsi. Weirdly, there are also kites everywhere. Someone asks Johansson, if she had to choose, would she pick people or animals? "People."

At one point, in a staff shed, 26-year-old Johansson confesses to having a crush on 41-year-old Damon. They make out, and then she says something about how maybe, if they're ever standing near each other on New Year's Eve, they can do it again. Matt Damon tells her that he can't wait for New Year's. We get the feeling that he won't have to.

We Bought a Zoo ends in a coffee shop, with Matt Damon and his children in a group hallucination of the first conversation he ever had with his wife.

"Why would an amazing woman like you even talk to someone like me?"

"Why not?"

Why not, indeed.

Hanson O'Haver is the senior contributor to This Recording. He is a writer living in Brooklyn. He last wrote in these pages about the coming of Lou Reed. You can find an archive of his writing on This Recording here. He twitters here and you can find his website here.

"I'm Wrong" - Sharon Van Etten (mp3)

"Magic Chords" - Sharon Van Etten (mp3)

"We Are Fine" - Sharon Van Etten (mp3)

Wednesday
Sep212011

In Which Cameron Crowe Knew How To Pick Them

Talk About Things That
Get Me Excited

by ALEX CARNEVALE

Singles
dir. Cameron Crowe
99 minutes

Kyra Sedgwick works for the vaguely named "Seattle Environmental Group", which probably amounts to a terrorist organization masquerading as a hedge fund. Her new boyfriend appears one day and helps fix her car, informing her he's an exchange student from Spain. The guy is pretty smooth, he gives her this really nice promise ring before he's "deported." She gives him her garage door opener for when he comes back. It turns out he was pretending to be from Spain. Cameron Crowe should ready an Elizabeth Gilbert-based lawsuit. (How Stella Got Her Groove Back was also a blatant infringement of his rights.) Good luck to the next guy she meets.

Hairstyles are codified, familiar. Cameron Crowe was evidently having sex with lots of different people in the Seattle area during this period. Campbell Scott's father left home when he was eight, and told him, "Have fun, stay single." Scott intones, in overbearing voiceover, "Work is the only thing I have complete control over."

His cubicle is a disturbing sight. The central machine appears ancient, rotten with some kind of papyrus note affixed to its membrane. Relics of paper ledgers contain god-knows-what information. The smell is redolent of pears and the slight afterburn a fax leaves in the air. There is no mouse. He appears to have altogether forgotten what being a human is: high speed DSL and a decent fucking browser.

Crowe views everything that occurs in retrospect through a gold haze. A relationship that falls apart is simply food for thought, and a reunion is always possible even when it's not. His peers navigate their world with spastic affront. Then again, their ancient machines deprived them of much wisdom. When Scott meets his environmental au pair to share water in an elaborate allusion to Stranger in a Strange Land, Paul Giamatti is making out with some girl at the next table, salivating over his water glass.

Perhaps anticipating her future role as The Closer, Kyra Sedgwick doesn't put out for several dates at least. To seduce her Scott discusses his plan for a SuperTrain. "People will park & ride, I know they will," he tells everyone he meets. It's amazing what a moron he is, I'm not sure if Cameron Crowe knew about this.

The idea of making a movie to praise yourself or someone you love is not foreign to Crowe. His new film, a documentary about how wonderful Eddie Vedder is titled Pearl Jam Twenty, features Vedder and Kurt Cobain dancing with each other in mutual adulation. Crowe's backstage look paints Vedder as a tortured soul that reaches back to his confusion over his real father. Eddie's every eccentricity, from his propensity to climb the stage and set, to overcoming his shyness, is worshipped like Pheobe Cates' left breast. What a wonderful time to be alive, and at two hours and twenty minutes, the euphoria lasts almost forever.

Everyone receives a trophy. He was a DJ in college. She's had bad luck with boyfriends. There's nothing on television, maybe one or two channels. Mostly reruns of old television programming like M.A.S.H. or older sitcoms, because the rights were inexpensive to acquire. In the eighties TV Guide began a spirited fight with TV Cable Week. New York magazine breathlessly reported that, "Readers of Fortune, Time, Discover, Life, People, Sports Illustrated or Money have often also taken TV Guide or Triangle's Seventeen." Does the past still excite you?

Back then TV Guide subscribers paid 69 cents an issue. There was a spirited debate over how many channels should appear in the magazine's listings. Different experts weighed in. TV Guide magazine was acquired by Rupert Murdoch in 1989 and you know the rest. Most of the individuals on the cover of TV Guide either became drug addicts, got AIDS while cheating on their wives, or in the case of Jay Leno, came out as a homosexual.

Was this a more innocent time? In comparison to the present, any time is infinitely more naive. The only problem any of these people really had was how seriously to take Jane Pauley.

Crowe also scripted the 1984 comedy The Wild Life, a loose sequel to his Fast Times at Ridgemont High, directed by legendary Hollywood producer Art Linson. The Wild Life has never made it to DVD because it uses every worn-out movie song you can imagine ("Born to Be Wild" opens the proceedings) and it would cost a fortune to purchase the rights. In every scene the intense urge to punch Eric Stoltz in the face is the film's driving motivation. Lea Thompson is so gorgeous the camera can barely turn away from her. Without Crowe's breakneck pace and his innate directorial desire to make his characters likable, the jaded teens just seem like overgrown assholes.

In fact, the crazy high school hijinks of The Wild Life and Fast Times at Ridgemont High now feel almost too adrenaline-filled. Singles offers a Seattle setting that is infinitely more desirable; you know, San Francisco in the middle sixties was a very special time and place to be a part of. Matt Dillon has this long speech where he discusses the perils of living near the airport and having barbecues no one attended. His complaints are our dreams. Every person in his building knows every other person. It's like an adulation factory.

Things don't work out between Kyra Sedgwick and Campbell Scott after a pregnancy scare. Kyra's organization plans a "coastal" trip of Alaska. (It is never specified if this trip is to encompass the entire coast.) She tells everyone, "You don't have to be my boyfriend." She wears a coat accented with the imprint of a doe. Scott is advised in matters of love and life by the waitress Bridget Fonda; she informs him life is only 40 percent sex, and this revelation appears to shock him into action.

The idea of a 1992 Bridget Fonda being without a man for more than six nanoseconds is unlikely in the extreme. Her rent was probably in the $100 range, possibly less than that. This may have well been the 1920s. It was better than the 20s, it was basically the same as the 20s. Are you excited yet?

Alex Carnevale is the editor of This Recording. He is a writer living in Manhattan. He tumbls here and twitters here. He last wrote in these pages about David Bowie's Secret Moonlight tour.

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