Quantcast

Video of the Day

Masthead

Editor-in-Chief
Alex Carnevale
(e-mail/tumblr/twitter)

Features Editor
Mia Nguyen
(e-mail)

Reviews Editor
Ethan Peterson

Live and Active Affiliates
This Recording

is dedicated to the enjoyment of audio and visual stimuli. Please visit our archives where we have uncovered the true importance of nearly everything. Should you want to reach us, e-mail alex dot carnevale at gmail dot com, but don't tell the spam robots. Consider contacting us if you wish to use This Recording in your classroom or club setting. We have given several talks at local Rotarys that we feel went really well.

Pretty used to being with Gwyneth

Regrets that her mother did not smoke

Frank in all directions

Jean Cocteau and Jean Marais

Simply cannot go back to them

Roll your eyes at Samuel Beckett

John Gregory Dunne and Joan Didion

Metaphors with eyes

Life of Mary MacLane

Circle what it is you want

Not really talking about women, just Diane

Felicity's disguise

This area does not yet contain any content.

Entries in celocita (1)

Monday
Feb212011

In Which I Can't Deny It I'm A Fine Hyna Got Your Boyfriend Jockin Me

FIRME ROJAS

by MOLLY LAMBERT

This is a passion project that I started working on while making the Kenny Powers mixes. I was digging for Mexican rock stuff for Volume 5 of my Eastbound & Down mixtape series, and a lot of Mexican American rap kept coming up. I really wanted KP v. 5 to be primarily rock to match 3/4 of the other KP mixes, but I downloaded a ton of rap songs just in case I changed my mind. KP 5 did end up being mostly rock and some techno (Tribal Monterrey!) but I kept adding more things to the rap playlist.

I love rap, and I love microgenres, so naturally I love the microgenre that is Latina Rap. There's a really great radio show in LA called Pocos Pero Locos, and that's where I was first exposed to Latin Hip Hop. Now obviously every microgenre is gigantic, and this is by no means meant to be a definitive survey of Latina female rappers. At a certain point I stopped adding new songs (although I never stopped finding them) because I had been working on it for so long already and otherwise it might have been endless.

The songs I picked mostly fall under the heading of Girl Gangsta Rap, an even smaller genre within the genre. It reminds me at times of 60s girl groups, with which it shares themes like car culture, gang violence, sex, love and heartbreak. I also love it because it is essentially feminist. These artists are cool, tough, fully sexually realized, funny, sweet, sometimes achingly sad (Amanda Perez!), and occasionally dangerous killers.

And I like that a lot of sounds like it was recorded on home computers, because I like jankiness as a musical quality and I enjoy things that sound good on shitty car stereos. I love musicians who just have to make music, who have things inside that they just need to get out. They can't help but express themselves to us, and even when the delivery is not technically perfect the pure intensity of feeling still comes across.

 

It might come across even more because of the technical imperfections. Imperfectness is really a matter of subjective opinion. I don't want to overintellectualize it too much (too late) but as it gets warmer I hope you will listen to Firme Rojas in your whip/on your porch/in the park with a michelada and think fondly of your friend DJ FUCK YALL. 

Regarding cultural appropriation: It is equally as far-fetched for me to personally identify with SoCal girl gangsters as it is for me to identify with Southern cock-rockers, and yet I identify equally strongly with both. I grew up in Los Angeles, where a lot of these artists are from, and I love West Coast Rap and West Coast funk style beats. The idea that you ever would/should only listen to music made by people whose cultural identity is exactly the same as yours is what keeps idiots assuming that a caucasian woman like myself would only listen to Joni Mitchell and Joanna Newsom and Robyn. 

No real rapper only listens to rap. Big Boi and 2Pac love Kate Bush! Music is music. People who love music, like me, want to hear everything there is out there. There are no more "I listen to everything but rap and country" people left, because the mp3 economy and widely free access to all kinds of music has rendered that stance and all similar genre-excluding stances irrelevant. I was once limited by the amount of money I could spend on records, and now I am only limited by my patience, which is infinite. 

DJ FUCK YALL PRESENTS: FIRME ROJAS

dedicated to K-Swift and Magnolia Shorty 

Naybahood Queen - JV

Love Confession - Miss Lady Pinks ft. Amanda Love

Take You To School - Miss Beautiful 

I Just Wanna Fuck - Celocita

Ms. Sancha Live Dot Com - Ms. Sancha 

Can't You See - Esa Wicked Chula

Classy Soldier - Classy Ladys Entertainment

Up In The Hood - Underground Maniatikas

Love Me Not - Lady Teardrop ft. Nene Baby

cursory web research suggests Ms. Sancha may be Diamonique's alter ego 

Get It If You A Rida - Ms. Sancha

We Ride Like Soldiers - Doll E Girl & Lady Synful

We Stroll - Sleepy Loka

You Want Whores - Baby Wicked

Mexicana - Diamonique

Top Knotch Biatch - Miss Beautiful

Gettin Luchi - JV

Mas Vale Sola - Ms. Krazie & Sleepy Loka

Sorry For My Wrongs - Doll E Girl

Ride On My Enemies - Ms. Sancha

Snitch - Coketa

Te Quiero - Mz Gatiz

Dem Ladies - Mz Kasper

Most Hated - Davina

Why - Amanda Perez 

You Never Mattered - Mz Krazie

Somebody Please - OG Traviesa

Oh How It Hurts - Baby Wicked

Nobody Can Love Me Like You - Coneja Loka

G String - JV

California Gangsters - Sleepy Loka 

Molly Lambert is the managing editor of This Recording. She is a writer living in Los Angeles. She last wrote in these pages about Dennis Hopper and The Hot Spot. She twitters here and tumbls here.