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is dedicated to the enjoyment of audio and visual stimuli. Please visit our archives where we have uncovered the true importance of nearly everything. Should you want to reach us, e-mail alex dot carnevale at gmail dot com, but don't tell the spam robots. Consider contacting us if you wish to use This Recording in your classroom or club setting. We have given several talks at local Rotarys that we feel went really well.

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Entries in keith carradine (1)

Monday
Oct142013

In Which Black Is Generally The Color Of My True Love's Hair

In the Dark

by ALEX CARNEVALE

Ain't Them Bodies Saints
dir. David Lowery
96 minutes

Casey Affleck has taken another job. Someone, we will get to who, has cast him as a savage but moral outlaw. His love for Rooney Mara is eternal, even though she is kind of blah. Still, he claims that a police officer she murders was felled by his bullet, his gun.

A shootout, freely violated by bystanders and policemen, is the center of Ain't Them Bodies Saints. You wouldn't think there would be enough time for musing and remembrance during this kind of an event, but you have not been to a slaughter emceed by Casey Affleck. Everyone was having too much fun to stop shooting their handguns.

with the director

Black is David Lowery's favorite color, a deep black that a regular television set can't even render. You have to be on his level to even see the movie. What you don't see, some of it you hear. On occasion, young mothers (Rooney Mara) will monologue, usually after her six year old daughter asks a question such as, "How long will my braids last?" or "What's a convict, Mommy?" Such things are routinely said if you are waiting for your husband to break out of prison.

God (Casey Affleck) is a vengeful criminal. He plans to return for his wife and daughter pending his escape from the penitentiary. Here we have the basic, exciting elements of a story, but wound around each other such as they are in a music video. This is to ensure the same predictable satisfactions will not happen on Casey Affleck's watch. Oh, our God is a vengeful God!

Before returning for his family, Affleck heads over to Keith Carradine's to let him know the plan. Keith's moustache is very upset by this, but he manages to keep his shit together. You know the kind of person who always says one more thing, beyond the thing you wanted them to say? That's Keith Carradine in every single one of his roles.

For her part, Mara passes the time with a deputy of the police force (Ben Foster). From all evidence he is kinder to both of them than they are to each other. He plans to defend them from Casey Affleck, but how well did that work out for Abraham? (Casey Affleck possesses his own bible, it is the manual you get on airplanes to teach you how to open the doors.)

You know what Bonnie & Clyde didn't do? They didn't whine about it. Actually, they did, nevermind.

The swirling sound of Aint Them Bodies Saints is the only highlight, since Rooney Mara is basically placid throughout all of this. Since crying would be a cliche, she cannot cry. Since acting anxious, in the manner of Kirsten Dunst on a Tuesday, would make her seem like she is on drugs, that's out as well. Maybe she does something unusual in the dark part of the frame that we can't see. Something may happen to her there.

Alex Carnevale is the editor of This Recording.

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