In Which We Plan To Advertise in Ebony
Wading Through The Fog of Mad Men
by ALMIE ROSE
Don Draper is the Kanye West of the 1960s. They’re both creative man-children who get pissy when they don’t get their way. They also look great in shades.
Last night’s episode of Mad Men, aptly titled "The Fog" because the whole thing was a foggy mess, began with The Drapers at a parent-teacher conference in which Don takes the only available chair, leaving his pregnant wife to find her own goddamn chair. Don Draper is not a butler; he does not need to offer his chair to anyone. That’s such a slick Kanye thing to do.
Oh yeah so Sally is acting up in school and Betty has to pee. While she leaves the teacher gets all flirty with Don saying, “It’s going to be a beautiful summer.” Don gives her a look that says, “Yeah, for me to do you in.” Betty comes back in what has to be the shortest pee break in human history.
Back at Sterling Cooper Don gets pissy at a meeting and leaves, like Kanye at an awards show. The British dude tries to talk to Don and Don gets all pissy. Then Don goes home and no one is there to answer the phone and Don gets all pissy.
Don is so angry he could break his Mac Book Air!!!!
Then all of a sudden Duck Phillips appears on the screen and I gasp and do a Snoopy dance of joy. My God how I’ve missed Duck Phillips. But Pete Campbell’s being a total downer about it. If Don is the Kanye of the 60s then Pete is definitely the Pete Wentz of the 60s. Though Pete does have his share of Kanye moments, like when he threw his chicken dinner out the window. Gosh those were great times.
The teacher calls Don and tries to get him to reveal his soul or something and Don’s basically all like, “I got to return some video tapes” and shoots her down. For now, at least.
Then Betty goes into labor. God, it’s always got to be about you, Betty, doesn’t it? At the hospital the nurse is acting all Twilight Zone, being aloof and cold, but does offer Betty a complimentary enema.
Don, who looks a lot like Cary Grant in this episode, waits in the waiting room and starts talking to another expectant father. They reveal things about their lives, or something. I think this guy is a prison warden but I’m not really sure, because Dick Whitman’s Old Timey Tales are kind of dull.
In the delivery room, Betty has a drug induced Technicolor dream. Her acting is not that different from when she’s not supposed to be in a zombified dream state. Upon waking from the dream, Betty asks the nurses to leave her alone saying, "I’m just a housewife." It’s times like these when Mad Men really misses the mark on subtlety.
Then Lady Gaga won best new artist and accepted the award with her face covered in red lace. Then when I came back to Mad Men, Don Draper looked sad. I think I missed something.
This episode is more Lynchian than usual.
Betty gives birth without a hitch and wants to name their baby boy after her dead dad. Don is a dick about it but does not break his Mac Book Air!!!
Duck, meanwhile, borrows a plotline from Friends or Three’s Company in which he invites both Pete and Peggy to a business lunch without telling either one that the other one will be there. That’s so Duck Phillips!!! He’s such a rascal! Pete gets all weird and leaves. That’s so emo!
Duck tries to court Peggy into leaving Sterling Cooper for his agency and Peggy has her doubts. But Duck is wearing a slick turtleneck so it’s going to be really hard for her to turn him down. Peggy asks Don for a raise and Don gets all Kanye about it. Duck Phillips looks pretty awesome now, doesn’t he, Peggy?
Meanwhile Pete talks about "negroes" and makes an ass of himself with Hollis, the elevator operator. Pete thinks it would be a good idea to exploit the black demographic for an ad campaign, but the clients are appalled, because it’s 1963 and no one cares about black people. Roger does another blackface routine to smooth things over.
No, he doesn’t, but he does get angry at Pete and yells, "Are you aware of the number of handjobs I’m going to have to give?"! Seriously, he really says that! After that I kind of tuned out because all I could think about was Roger’s handjobs. I really wish he had gone into detail. Exactly whom would you need to give these handjobs to, Roger? And how? Could you describe it?
The episode ends with the baby waking up Betty from her sleep and she seems kind of bummed out by it. Don of course does not wake up. Don, how could you be so heartless?
Almie Rose is the senior contributor to This Recording. She writes here, and twitters here. She is a writer living in Los Angeles. She last wrote in these pages about hot places in L.A.
"Kitchen Stove" — Henri Almond (mp3)
"Wolves and Laundry" — Henri Almond (mp3)
"Trois Ans Avec" — Henri Almond (mp3)