Quantcast

Video of the Day

Masthead

Editor-in-Chief
Alex Carnevale
(e-mail/tumblr/twitter)

Features Editor
Mia Nguyen
(e-mail)

Reviews Editor
Ethan Peterson

Live and Active Affiliates
This Recording

is dedicated to the enjoyment of audio and visual stimuli. Please visit our archives where we have uncovered the true importance of nearly everything. Should you want to reach us, e-mail alex dot carnevale at gmail dot com, but don't tell the spam robots. Consider contacting us if you wish to use This Recording in your classroom or club setting. We have given several talks at local Rotarys that we feel went really well.

Pretty used to being with Gwyneth

Regrets that her mother did not smoke

Frank in all directions

Jean Cocteau and Jean Marais

Simply cannot go back to them

Roll your eyes at Samuel Beckett

John Gregory Dunne and Joan Didion

Metaphors with eyes

Life of Mary MacLane

Circle what it is you want

Not really talking about women, just Diane

Felicity's disguise

This area does not yet contain any content.

Entries in ye-ye (1)

Thursday
Apr022009

In Which The Allures of Françoise Need Not The Internet

More Talented Than Jane Birkin

by BRITTANY JULIOUS

I don’t want to say it’s all about the bangs. But when it comes to Françoise, it’s all about the bangs.

I think we’d all like to believe that our infatuation with certain celebrities has some sort of redeeming quality beyond the sun-kissed coif of Jennifer Aniston or the all-too romantic curls of Patrick Dempsey, but that would be a lie. For some, the personal style trumps artistic merit (no matter how large that merit may be).

There are thousands, perhaps hundreds of thousands of young, waif-like females parading around street corners and down back alleys. Hours spent browsing websites online for inspiration, although most likely misinformed by a slew of images culled from Google; they immediately find comfort in the image of Françoise.

Her eyes are large, round and warm. Her beauty, natural and graceful, is a respite from plasticized and inorganic expectations for the modern females. Their slender physiques are clothed in dark black pants and striped tops. And their hair? Full of shine, it's sleek, so memorable that one can’t help but admire the staying power. The undeniable and effortless chic that Françoise defined over forty years ago.

That’s not to say that Françoise was and is not a symbol of female ingenuity, talented beyond compare. Of all of the fascinating women of her era, Françoise seemed to best embody the characteristics that made the 1960s memorable.

Her songs were of the ye-ye style, yes, but she never abandoned her musicianship for the sake of quaint, sometimes simplistic French pop music. “Comment te dire adieu,” remains one of her best known songs as well as a critical favorite (especially among the hipster set).

As the ye-ye style eventually lost popularity, Françoise merely expanded her musical horizons. Although she is arguably the most well known ye-ye artist beginning with her first record, Tous les garçons et les filles, the end of the ‘60s saw a richer, more realized phase of her musical career (with songs recorded in French, German, and English) by way of over 20 albums recorded in the following three decades.

The modern Francophile, however, seems to skim over this point.

Here’s a good starting point. Here’s another. And in case it all seems to confusing, remember that Träume (1970) is lush and warm and meant for fall, Gin Tonic (1980) is the re-emergence of the “hard-to-pin-down” cool that made Françoise Françoise, and Clair-obscur (2000) is the comeback, the re-awakening and the reminder that some things just get better with age.

Brittany Julious is the senior contributor to This Recording. She tumbls at britticisms and blogs at glamabella.

ENJOY THE MUSIC OF THIS SPECIAL ONE

download the album comment te dire adieu here

"Le Temps de L'Amour" - Francoise Hardy (mp3)

"The Rose" - Francoise Hardy (mp3)

"C'a Rate" - Francoise Hardy (mp3)