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Entries in megan fox (2)

Monday
Aug112014

In Which We Voice A Dampish Rat For Your Amusement

Man, Beast and Fox

by DICK CHENEY

Teenage Mutant Ninja Turtles
dir. Jonathan Liebesman
112 minutes

There was a woman who loved a dolphin, and Michael Bay once got a "she's coming onto me" vibe from an orangutan from the San Diego Zoo, but animals have rarely sought sexual completeness from human beings until Teenage Mutant Ninja Turtles. Watching Megan Fox ignore sexual harassment from the two lewdest ninja turtles was uncomfortable; the fact that she had to fend off the advances of Gob Bluth (Will Arnett) made it all the more puzzling.

There is a moment in almost every Michael Bay movie where you stop and ask yourself what disturbed sexual fantasy from his past he is reenacting. That moment in Teenage Mutant Ninja Turtles came when Megan Fox was stroking a large CGI rat on his deathbed, and the rat was voiced by Tony Shalhoub. The rat's nose and fur has become somewhat damp as he whinges from her touch. Splinter/Steven Spielberg concordance aside, Megan Fox looked old enough to be that rat's mother.

If this was not the time to utilize the voice-acting talents of Selena Gomez, I don't know what is

Teenage Mutant Ninja Turtles cost $125 million dollars, which is hard to believe given the most accomplished actor in the entire conglomeration is Johnny Knoxville. There is only one African-American character in the film: Whoopi Goldberg plays Megan Fox's boss.

When Megan comes to Whoopi with the true story of how Michael Bay sodomized her and forced her to say that making the Turtles alien warriors from another dimension was a good idea, Whoopi fires her and never appears in the movie again. Despite finding the story of the century and wanting to be taken seriously as a journalist, Fox never breaks the story of humanoid turtles in any publication, even The Huffington Post.

The words "You were too old to play Mark Wahlberg's daughter" hang over this photograph like a Christmas wreath.

The woman (Margaret Lovatt) who loved the dolphin lived with him in a waterproofed environment. The dolphin's name was Peter, and he had a dial-up account with AOL where he posted under the screenname MargLovattsDolfin, mostly about collectible card games and what temperature was best to keep fish at. Margaret took Peter's playful nudges as a sign that he was ready for wintercourse with her. 

"Peter, do you read The Believer? No, you don't? It's a magazine that...oh, nevermind."

Watching a hulking, disturbed, half-blindfolded giant turtle explain how 'hot' he finds the oldest, clunkiest madam in Michael Bay's stable is awkward enough. In addition, Michaelangelo adopts some kind of vaguely ethnic, vaguely Canadian accent that I can't quite pin down; he sounds like if Rachel McAdams was eaten by a salamander. He never consummates his relationship with the brunette reporter or Amy Poehler for that matter, but neither did Will Arnett.

The turtles like pizza, but not as much as you would expect.

Guys, remember. You're fucking turtles.

Since it is no longer acceptable to have male humans sexually harass women in the movies, Bay came up with an ingenious plan to have gruesome assemblages of man and monster tell Megan Fox to spread her legs in a children's movie. I was always told that art imitated life, but I never really believed it until now.

For some reason, Margaret Lovall gave Peter a last name, English. She also gave him a lot more:

"Peter liked to be with me," explains Lovatt. "He would rub himself on my knee, or my foot, or my hand. And at first I would put him downstairs with the girls," she says. But transporting Peter downstairs proved so disruptive to the lessons that, faced with his frequent arousals, it just seemed easier for Lovatt to relieve his urges herself manually. "I allowed that," she says. "I wasn't uncomfortable with it, as long as it wasn't rough. It would just become part of what was going on, like an itch – just get rid of it, scratch it and move on. And that's how it seemed to work out. It wasn't private. People could observe it."

"Megan," Michael Bay said, "Would you like to go where someone could observe us?"

After Margaret moved onto a job giving armadillos near-impossible handjobs, Peter wrote to Boston Globe advice columnist Meredith Goldstein, who explained that Margaret was only using him for twelve-inch cock and he should try jdate, where human women were waiting to anthropomorphize him as a dolphin-version of Chris Evans or, worst-case scenario, Ezra Klein.

Women are beings of infinite understanding. Teenage Mutant Ninja Turtles exploits this strength by outnumbering April O'Neil and making the turtles more size-appropriate than were the Transformers. "They're six feet tall!" Megan screeches at one point, as if she had never ever seen anything that large. I remember George W. Bush coming up to me at a state dinner one time with a huge grin on his face. He pulled me close and whispered, "You'd have to be huge to fuck a Transformer!" and practically skipped away.

In the end, Teenage Mutant Ninja Turtles, is just an extensive, unimaginative reenactment of Beauty and the Beast. At least in the source work, it took a fabulous library and enchanted castle in order to capture what remained of Belle's heart after a decade of leading Gaston on. ("Gaston, soon! Soon!") The turtles show Megan Fox to their secret lair below the city where they live with their Rat-Dad, and she is very impressed by this. Standards have been lowered precipitously; there must be more than this provincial sewer.

Dick Cheney is the senior contributor to This Recording.

 

Thursday
Jun252009

In Which We Sympathize Purely With Decepticons

Robots In Disguise

by ALEX CARNEVALE

Not a single human being dies during Transformers: Revenge of the Fallen, which is something of a major achievement considering the film represents something like thirty-eight separate military engagements. War isn't hell, is Michael Bay's main message here, appropriate for a director with an IQ barely above retarded.

Is Transformers: Revenge of the Fallen the most boring movie I've ever seen? Probably not -- it shows the pyramids, a human achievement I have yet to witness in person. Occasionally, we get a flattering angle of Megan Fox. That's about the run of it. There is still the collected oeuvre of Tyler Perry to dull our mind and senses. But it is up there, quite high up there.

It is amazing to think that 200 million dollars spent on this film couldn't rescue it from being a dreadful bore, but it is. Asimov and Heinlein brought intelligent machines and war to Terran shores, and Bay completely tears apart any interest we might have in them. What could 200 million dollars have done for cancer research, or buying me an Xbox 360? We will never know.

can we execute him and bernie madoff together plzStakes is central core of drama - without it, there's only so much debris can interest us. At the end of the first Transformers film, we felt this kind of gnawing disinterest in what had up until then been a fairly potent departure from the usual special effects-related mayhem. Optimus Prime and Megatron battled, and I had a fairly tough time differentiating between the two. Optimus had a shade of blue in his coat. A handsome creature, a pretty, gravelly-voiced machine.

If you modify the tenor of your voice to sound like Peter Cullen, the dude who does Optimus Prime, you can create more excitement in your kitchen than this movie did with oodles of cash and a signed contract with Megan Fox. But basically there are more robots coming, and the government doesn't get that they are different from the good autobots. Really? Have they ever refused to give in to an automaker before?

For good measure, Bay throws in twin dumb robots with gold teeth and African-American voiceovers who don't know how to read and spend most of the time threatening to cap each other and speaking in jive. Sigh. I realize Bay despises political correctness, but did Jar Jar Binks change the world for the better? The Twins help Shia LaBeouf find something called The Matrix. Hmm, that sounds familiar. Was it the turning point of the second National Treasure film?

Really, it's all just an elaborate prelude to get robots whizzing and buzzing on each other, in each other. Two robots fighting each other is satisfying momentarily, like watching felines whirling into messy balls of fur. After a while, you just want to the fighting to stop.

This is most assuredly not what the American military wants however. Know you what our 'government' spends on such things? The opening scene of Revenge of the Fallen features the pursuit of a rogue Decepticon, a military operation that must have cost billions. Guys, can't you just let a Decepticon be?

War is even more of a specious creature in this world, where the persecution of creatures known formally as Decepticons continues unabated. We find out later that some of them aren't so evil, but nevermind that - one is sucking sand into its mouth for no real reason! Admire the money-making power of your not-talented overlord, Michael "I Physiologically Lack a Penis" Bay!

Autobots are sympathetic to the American military insofar as their soldiers attack and destroy the Autobots' main competition for 'energon' (Transformer fuel, smells like eggs and Meg Ryan), the Decepticons. Autobots are brothers in full to Army men who looks like Josh Duhamel and Tyrese Gibson. Why do I care about these people? Anyway, what fun for these boys to play soldiers in world where no soldier dies. Come to real world - we can use you!

michael, you left the lens cap on againOne life form needs the sun intact, to fuel machines which empty themselves, destroy atmosphere and other life forms. (I speak of humans, Autobot sympathizers.) Another life form, prettier but without portrait in Maxim, desires sun to break it apart so that it may provide lifefuel for the resurrection of its home planet, Cybertron. Interesting moral conundrum? Michael, don't sleep during our meeting, please.

don't worry: you are safe here. according to percentages, you account for 53.8 percent of this film's box office"Alien wars are of no concern to us." Michael Bay has a dumb Obama flack say this - flack prefers negotiation, reconciliation, surrender - but the flack has the right idea. Here is a war between two forces. Perhaps we should wait and see where it takes us, before committing more than we have. After all - we're proud owners of General Motors now. They need all the money taxpayers can spare!

The same reason the original Transformers was such an unusual thrill is why Transformers: Revenge of the Fallen sucks balls. Michael's cinematic modus operandi is to throw manic scenes together without transitions of any kind - sort of how I write reviews of his movies, but nevermind that. A film should cohere more closely than what I write, should offer plausible explanations for how retarded it is. I'm only one man! They had 200 fucking million dollars.

There is a forty minute segment near the end of Transformers: Revenge of the Fallen that truly tested my patience. Without irony, joke, or distraction, Bay simply had Megan Fox jiggling her jugglies and running with her hair blowing back in the wind for what seemed like forever. Didn't anybody ask why we needed to watch two kids jog miles through the desert? It's a movie - put them next to where the action is. Maybe a fucking Autobot can carry them? Is that so difficult? It took forty minutes of a rigorous rock soundtrack and sand particles flowing over perfectly made-up faces to end this farce, ruining the career of John Turturro on the way. Do not see this movie!

Alex Carnevale is the editor of This Recording. He tumbls here.

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